Josh White

2026 Resume & Portfolio

Conflict reporter, journalist and documentary filmmaker available for domestic and international assignment.

Josh White

I'm a conflict reporter and documentary filmmaker available for domestic and international assignment. I've reported and told full documentary projects from active conflict zones in Iraq, Syria, and Palestine; covered domestic extremism throughout America; and produced ground-level documentary and news coverage of protest movements, displacement, and communities shaped by belief and survival.

I shoot, direct, and edit independently and solo, and deliver a fully produced, cross-platform editorial package from a single assignment.

My reporting has been produced alongside NGOs and international news organizations and has reached a combined audience in the millions across documentary, editorial, and social platforms. You can find my full portfolio, project packages, and referrals below.

@joshjwhite
Audience & engagement metrics from field reporting produced alongside NGOs and international news organizations — across Instagram, Threads, and YouTube.
0
FollowersInstagram
0
ViewsInstagram · last 12 months
0
SharesInstagram · last 12 months
12.4K
FollowersThreads
0
Engagement RateThreads
0
ViewsYouTube

Every project is a fully produced, cross-platform editorial package, built for the way we share stories in 2026. One assignment can have up to four different deliverables. Click a package to see exactly what you get, and see real examples from the field.

01
Documentary Film
A fully produced documentary shot, directed, and edited independently. Narrated or observational format, determined by the story. Delivered broadcast-ready, same-day if needed. No crew. No waiting on a post facility.
What you get
  • Fully edited documentary film, 10–20 minutes
  • Color graded and sound mixed to broadcast standard
  • Narrated or observational — determined by the story
  • Closed captions / subtitle text file on request
  • Raw footage and B-roll available on request
  • Delivered in ProRes (broadcast) and H.264 (web/streaming)
  • Rights and licensing negotiated per project
Specs
Duration
10–20 minutes
Format
4K ProRes & H.264
Turnaround
Same-day to 10 days
Platforms
YouTube or agency website
Best for
NGOs & humanitarian orgsNews organizationsFestival submissionImpact campaigns
Example from the field — The Last of the Snake Preachers
02
Long-Form Article
A fully reported companion piece to your documentary or social pieces. These articles are written for readers who want the whole picture, not the summary. Published to Substack or delivered as camera-ready copy for any publication.
What you get
  • 1,500–3,500 word fully reported article
  • All field reporting, scenes, and direct testimony included
  • 5–10 editorial-quality photographs or videos from the assignment
  • Published to Substack or delivered as .docx / PDF
  • Formatted for news sites, NGO newsletters, or print
Specs
Length
1,500–3,500 words
Photos/Video
5–10 editorial assets
Turnaround
3–5 days post-field
Formats
Substack, .docx, PDF
Best for
News organizationsNGO newslettersMagazinesImpact reports
Example from the field — Published dispatch, Dept. of Peace
Dept. of Peace · Substack
Field Dispatch: From the Ground

A fully reported companion piece from an active assignment — the scenes, testimony, and reporting that don't make it to camera. Written for readers who want the whole picture, not the summary.

Read the full article →
03
Social Dispatches
You wouldn’t think it, but Threads has become a booming platform for news agencies and short-form storytelling. It is where I first went viral with any reporting work. In this package, you’ll receive three to five long-form Threads posts written in the native voice of the story.
What you get
  • 3–5 long-form Threads posts per assignment
  • Each post written as standalone journalism — not a promo
  • Cross-postable to X (Twitter) and BlueSky without modification
  • Direct link to the full piece embedded in each post
  • Written for organic reach and algorithmic traction
  • Optional image selection for each post
  • Posted from @joshjwhite on request (61K+ Instagram, 12.4K Threads)
Specs
Volume
3–5 posts per assignment
Platforms
Threads, X & BlueSky
Turnaround
1–2 days post-field
Engagement
50%+ avg. on Threads
Best for
Extending story reachAudiences who skip long-formOrganic viralityReal-time dispatches
Example from the field — live post @joshjwhite
04
Short-Form Video
Instagram Reels and TikTok cuts — 30 to 90 seconds, edited for engagement and discovery. These are standalone moments designed to surface the story to audiences who will never find it otherwise.
What you get
  • 2–4 vertical short-form cuts per assignment (30–90 seconds each)
  • Edited specifically for 9:16 vertical format
  • Platform-native captions
  • Paced for scroll-stopping, not just viewing
  • Delivered in full resolution for direct upload
  • Thumbnail frame selection on request
  • Published and collaborated from @joshjwhite on request (10M+ views)
Specs
Duration
30–90 sec per cut
Format
9:16 vertical, 1080p+
Turnaround
2–3 days post-field
Platforms
Instagram, TikTok, YouTube Shorts
Best for
Reaching 18–35 audiencesPlatform discoveryAmplifying reachSocial-first orgs
Examples from the field — click any to view the reel

Commission any combination — one deliverable or all four from a single assignment. Scope, timeline, licensing, and rights are negotiated per project. Get in touch to discuss.

You can find versions of each package mentioned above under these links.

Every dot is a story I have told. Hover over the dot to see the project, click to open it.

Field-based journalism carries real risk. The work below reflects deliberate investment in safety, operational security, and the ability to protect both sources and story in hostile environments.

While these are formal certifications for this work, the best tools in my kit remain these three: imagination — how to tell these stories well; empathy — understanding what social impact a story can have; and instinct — something better than any HEAT training you can receive.
HEFAT
Hostile Environment & First Aid
Hostile Environment & First Aid Training
Issued by GJS Security

Industry-standard certification for journalists working in conflict zones, active war, and high-risk environments. Covers trauma medicine, convoy security, kidnapping response, ballistic threat assessment, and emergency field care. Required by most major publishers and networks before deployment.

FAST
First Aid & Safety Training
First Aid & Safety Training (FAST)
Issued by American Red Cross

Certified in emergency first aid, CPR, and field safety response. Essential for deployment in environments where professional medical care is not immediately available. Complements HEFAT with additional civilian first-response protocols.

OPSEC
Digital Safety & Network Security
Digital Safety & Operational Security Certification
Issued by Freedom of the Press Foundation

Certified in the protection of sensitive journalistic material from interception, surveillance, and network compromise. Covers encrypted communication protocols, secure file transfer to publishers, air-gapped storage for sensitive source material, and hardened device configuration for adversarial network environments. Sources stay safe. Stories get out.

The tools of the trade are not what make a good story — but having the right tools in your belt can make sure the story is delivered as well as possible. I can deliver broadcast-quality material and quick on-the-ground reporting. A full manifest of my gear bay is available at the link below.

View Full Gear Bay →

The people below have worked alongside me in the field, collaborated on stories, commissioned work directly, or have extensive knowledge of my work, skill, and experience.

Jeremy Courtney
Jeremy Courtney
CEO
HUMANITE Peace Collective
Angela Schug
Angela Schug
Humanitarian Emergency Manager
World Vision
Maryam Ishani Thompson
Maryam Ishani Thompson
Reporter
AFP · Guardian · BBC · Reuters
Mari Marks
Mari Marks
Director of Public Affairs
HUMANITE Peace Collective
Let's tell your story together, so we can keep people alive.
Let's tell their stories, together
Josh White · 2026